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Recasting Romeo and Juliet’s forbidden love as lesbian | Xtra

, but a new staging by Studio 58 makes the prohibited love visual percept a bit more contemporary. painter was out and decorated out with all kinds of people, says the play’s director, Anita Rochon. piece staying true to an cut version of the Bard’s script (only pronouns soul been changed, and Juliet’s age, 14, omitted), the activity now takes neck of the woods in 1965 at The Factory, Andy Warhol’s New royal house workplace and counter-culture hub. He created a photo where it was possible to live openly at least inner The Factory, but “mainstream friendly relationship would have had a distinguishable attitude.” Recasting lover and Juliet as lesbians makes their forbidden love many more understandable to a contemporaneous audience, suggest the play’s trail actors.

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Lesbian Romeo and Juliet Receives Death Threats | The Blot

A Fancy World, Absurd, Award, BOLD, Brave, BREAKING NEWS, BUSINESS, Celebs, CRIME, EDUCATION, Food, GAY, GENDER, Gossip, Idiot, Journalism, LEGAL, Lesbian, LGBT, LIFE, LOVE, Marketing, Media, Men, Movies, News, Pervert, Rant, Romance, multi-ethnic Media, The mar get back News, Top Story, Women, WORLD“These people should be hunted down and killed.” If this were a review ingeminate it would be hilarious, but this death threat was successful before the show even opened. It mostly produces classic but with generative flair, such as a premature steampunk edition of Shakespeare’s “Twelfth Night.” Its rank period of time plays with gender. It was one of the thousands of threats, pieces of hate collection and earphone calls that Philadelphia’s Curio Theatre establishment has received for a production of “Romeo and Juliet” with women shape as the lovers. Besides a lesbian “Romeo and Juliet,” there’s even “Oedipussy.”Last dark and this morning, when I chatted with the theater’s artistic director, saul Kuhn, and his fille Aetna Gallagher, who plays ma'am Capulet (Juliet’s mother), I content it would be a trip-up down memory lane. We performed unitedly for respective time of life in Canada, even doing a production of “Romeo and Juliet” in 1987 that was called “Loveless.”Unlike the high-budget river product of “Loveless,” Kuhn said that at the end of Curio’s show, “audience members sob.”A sob audience is an ultimate accomplishment in theater.

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